Skip to content

Mike Davis "It's Not Easy Being Green"

Gavlak Los Angeles

Project Room

March 11 – May 7, 2016

Installation of Mike Davis It's Not Easy Being Green
Installation of Mike Davis It's Not Easy Being Green
It's not easy being green, 2015, Watercolor on paper
Ikea, 2014, Watercolor on paper
Installation of Mike Davis It's Not Easy Being Green
Frieda #1, 2014, Watercolor on paper
"H" is for Heroin, 2015, Watercolor on paper
What are you doing here?, 2016, Watercolor on paper
Mike Davis, Pablo, 2016
Installation of Mike Davis It's Not Easy Being Green
For Cynthia, 2015, Watercolor on paper
Installation of Mike Davis It's Not Easy Being Green
Installation of Mike Davis It's Not Easy Being Green
Marilyn, 2014, Watercolor on paper
So THAT'S how it is in their family, 2014, Watercolor on paper
Banjo, 2016, Watercolor on paper
Frieda #2, 2014, Watercolor on paper
'Cock' in Trafalgar Square, 2014-2016, Watercolor on paper
Ed, 2016, Watercolor on paper
Plaid Onesie, 2014, Watercolor on paper
Easter Sunday, 2014, Watercolor on paper
Installation of Mike Davis It's Not Easy Being Green
Installation of Mike Davis It's Not Easy Being Green
Kerm Kerm, 2015, Watercolor on paper
Untitled, 2015-2016, Watercolor on paper
Ace, 2015, Watercolor on paper
Pool, 2014, Watercolor on paper
Gay Portfolio, 2015-2016, Watercolor on paper
Ellsworth, 2016, Watercolor on paper

Press Release

Opening Reception March 11, 6-8pm

 

GAVLAK Los Angeles is pleased to announce "It's Not Easy Being Green," an exhibition of new watercolors by Los Angeles based artist Mike Davis. This is the artist’s first solo exhibition with the gallery. The title refers not only to Kermit the Frog's famous song (Davis often paints Kermit when artistically stymied) but also to the supposed undesirability of green paintings.

 

The subjects of these watercolors fall into three primary categories: childhood imagery (family pets, a self-portrait of a young Davis playing violin), portraits of artists (Pablo Picasso, Frida Kahlo and Ed Ruscha), and of course, Kermit the Frog. For Davis, painting is a daily meditative practice that begins shortly after waking up. It is a method of extending his appreciation for certain images and thereby circumventing the short-attention-span-format of Instagram, where he culls many of the source photographs; it is also a cathartic activity, a means to process memories from a childhood both typical and highly atypical.  In this sense, this exhibition is an image feed from the artist’s subconscious.  

 

After years of painting with acrylic in a large format, Davis switched to watercolors in 2013. The shift was meant to bring more immediacy to his practice. The medium's meditative value rests partly on its transparency, as nothing can be covered up, and partly on its deliberateness, as it requires a mental focus that helps induce a meditative state. Davis often spends months on a painting, sometimes years. One painting, entitled "For Cynthia," depicts a unicorn prancing on a shockwave from a nuclear explosion. What may seem like a surreal juxtaposition can also be viewed as a statement of intent: a will to persevere, even thrive, during life's most trying moments. In another painting, "’Cock’ in Trafalgar Square," Davis spent close to a year and a half replicating the subtle Instagram filter of a photograph, which was taken on a rainy day in London.  He gives as much attention to the blurry image of the blue rooster sculpture in the background as he does to the individual raindrops that have accumulated on the car window. Such devotion in this era of transience might qualify as the ultimate "like."

 

Mike Davis (born 1984) lives in West Hollywood. He received his BFA at the University of California Irvine in 2008.

 

For more information concerning the exhibition, please contact Tabor Story at tabor@gavlakgallery.com, or 323-467-5700. For all press inquiries, please contact press@gavlakgallery.com.

Back To Top