Keith Mayerson

b. 1966, Cincinnati, OH
Lives and works in New York, NY and Riverside, CA


EDUCATION
1984-1988   B.A. Brown University (Semiotics and Studio Art)
1991-1993   M.F.A. University of CA, Irvine

SOLO EXHIBITIONS
2017   My American Dream, MOCA, Los Angeles, CA

2015   Ironscapes, FREDDY, Baltimore, MD
          My American Dream, Marlborough Chelsea, New York, NY

2014   My American Dream: Frontiersman, David Shelton Gallery, Houston, TX
          My American Dream (Prologue), Derek Eller Gallery, New York, NY
2013   My American Dream, Derek Eller Gallery, New York, NY
2012   My American Dream, Solo Booth for Derek Eller Gallery, NADA NYC Art Fair,
           New York, NY
2011   Life, Art & Fashion, Shaheen Modern & Contemporary Art, Cleveland, Ohio
           Iconscapes: 1995-1999, Knoedler Gallery, New York, NY

2009   Souvenirs, The Bakery - Annet Gelink Gallery, Amsterdam, The Netherlands
           Both Sides Now: A Selection of Drawings 1992-2009, Paul Kasmin Gallery (project

           room), New York, NY
2008   Good Leaders, Endangered Species, Ships At Sea, Part II, Derek Eller Gallery,
           New York, NY
           Good Leaders, Endangered Species, Ships At Sea, Kim Light / Lightbox, Los   

           Angeles, CA
2007   Friends & Family, Shaheen Modern & Contemporary Art, Cleveland, Ohio
2006   Kings & Queens, Derek Eller Gallery, New York, NY
           Heroes, Gallery Alain Noirhomme, Brussels, Belgium
2005   Rebel Angels at the End of the World, QED Gallery, Los Angeles, CA
2004   Hamlet 1999, Derek Eller Gallery, New York, NY
2003   Hamlet 1999, Pt. 3, Derek Eller Gallery, New York, NY
2000   Illuminations, The Fifth International, New York, NY
1997   Paintings and Drawings, Jay Gorney Modern Art, New York, NY
1995   Monty’s Dream: The Sleeper in the Valley, Richard Telles Fine Art, Los Angeles, CA
1994   The Marriage of Heaven and Hell! Richard Telles Fine Art, Los Angeles, CA
1993   Pinocchio the Big Fag, Kiki Gallery, San Francisco, CA

GROUP EXHIBITIONS
2014   The Great Figure, The Journal Gallery, Brooklyn, NY
           Keith Mayerson and Peter Saul, Robert Blumenthal Gallery, New York, NY
           Don't Look Now, Zach Feuer Gallery, New York, NY, curated by Jesse Greenberg  

           and MacGregor Harp/247365 Gallery
           Inaugural Exhibition, Gavlak, Los Angeles, CA
           Parallel Myths, David Shelton Gallery, Houston, Texas
           This One’s Optimistic,: New Britain Museum of Art, New Britain, Connecticut,

           curated by Cary Smith
           2014 Whitney Biennial, Whitney Museum of American Art, New York, NY
2013    Jew York, Zach Feuer Gallery, New York, NY
           All F@*#ing Summer, Gavlak, Palm Beach, Florida
2012   The Picture of Dorian Gray, curated by Ilan Cohen with Quan Bao, SecondGuest,

           New York and Ana Cristea Gallery, New York
           All I Want is a Picture of You, Angles Gallery, Los Angeles, CA
           Group Shoe, curated by Joe Bradley, Gavin Brown’s Enterprise, New York, NY
           Its Always Summer on the Inside, curated by Dan McCarthy, Anton Kern Gallery,
           New York, NY
           B-OUT, curated by Scott Hug, Andrew Edlin Gallery, New York, NY
           The End, curated by Michael Buhler-Rose and John Connelly, Vogt Gallery, New

           York City
2011   Keith Mayerson: Horror Hospital Unplugged, Dominic McGill: Extraordinary Popular
           Delusions and the Madness of Crowds, Derek Eller
           Gallery, New York, NY
           8 Americans (Organizer. Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven,
           Francesca DiMattio, Wade Guyton,
           Keith Mayerson, Dana Schutz), September 2011, Maruani & Noirhomme Gallery,

           Brussels, Belgium
           Joni, Kathleen Cullen Fine Arts, New York, NY
           Put Up or Shut Up, New York Academy of Art, New York, NY
2010   Ink Plots: The Tradition of the Graphic Novel at SVA, Visual Arts Gallery, New York,

           NY

           The Pencil Show, Foxy Production, New York , NY
           Keith Mayerson, Kent Henricksen, Nassau County Museum of Art, Roslyn, New York
           Wall to Wall, Daniel Weinberg Gallery, Los Angeles, CA
           The Boneyard, Kim Light/Lightbox, Los Angeles, CA
2009   The Never-Ending Story: Fairy Tales, Fantasy, Obsession, curated by Laura

           Hoptman, Royal/T, Culver City, CA
           Out of Order, curated by Scott Hug, Andrew Edlin Gallery, New York, NY
           Naked, Paul Kasmin Gallery, New York, NY
           The Tree, James Cohan Gallery, Shanghai, China
           New Acquisitions, Cleveland Museum of Art, Cleveland, Ohio
           Figuratively Seeing, Massachusetts College of Art and Design, Boston,

           Massachusetts
2008   Peanut Gallery, curated by Joe Bradley, The Journal Gallery, Brooklyn, New York
           THINGS BEHIND THE SUN, PHIL, Los Angeles, CA
           Summer Group Exhibition, " Derek Eller Gallery, New York, NY
           Friends and Family, Anton Kern Gallery, New York, NY
           Kiki: The Proof Is In the Pudding, Ratio 3, San Francisco, CA
           The Guys We Would Fuck, curated by Nayland Blake, Monya Rowe Gallery,
           New York, NY
           History Keeps Me Awake at Night: A Geneaology of Wojnarowicz, PPOW Gallery,
           New York, NY
           Artist as Publisher, The Center For Book Arts, New York, NY
           ambivalent figuration; people, Samson Projects, Boston, Massachusetts
           a new high in getting low II, John Connelly Presents, New York, NY
2007   Genesis I’m Sorry, Greene Naftali Gallery, New York, NY
           Joe Bradley, Ann Craven, Dana Frankfort, Keith Mayerson, Zach Feuer Gallery,
           New York, NY
2006   Likeness (Portraits from All Angles), Geoffrey Young Gallery, Great Barrington,
           Massachusetts
           Summer Group Exhibition, Derek Eller Gallery, New York, NY
           How I Finally Accepted Fate, curated by Jason Murison, EFA Gallery, New York, NY
           This Name of This Show is Not GAY ART NOW, curated by Jack Pierson, Paul Kasmin
           Gallery, New York, NY
           Salon, Greene Naftali, New York, NY
           Inaugural Group Exhibition, Derek Eller Gallery, New York, NY
2005   The Most Splendid Apocalypse, curated by Jason Murison, PPOW Gallery, New

           York, NY
           This Hard, Gem-Like Flame, curated by Joseph R. Wolin, Angstrom Gallery, Dallas,

           Texas
           On Paper: Drawings from the 1960’s to the Present, Daniel Weinberg Gallery,
           Los Angeles, CA

2004   Under the Sun, Greener Pastures Contemporary Art, Toronto, Ontario
           Rimbaud, curated by Max Henry, I-20, New York, NY
           The Sublime is (Still) Now, curated by Joseph R. Wolin, Elizabeth Dee Gallery,
           New York, NY
           Let the Bullshit Run a Marathon, curated by Nate Lowman, Nicole Klagsbrun,
           New York, NY
2003   K48, Dietch Projects Williamsburg, Brooklyn, New York
           Hothouse; Contemporary Floras, curated by Mary Jo Vath, Gallery of Art &

           Science, New York, NY

           You, curated by Lisa Kirk, Royal Modern, New York, NY
           A New New York Scene--K48 Teenage Rebel: The Bedroom Show, Gallerie du Jour
           at Agnes B., Paris, France
           FIAC art fair, curated by Scott Hug, Paris, France
           Magazin (K48: Do Not Provoke Us),” Marres, Maastricht, Holland
           Now Playing, D’Amelio Terras Gallery, New York, NY
           Drawings, Derek Eller Gallery, New York, NY
2002   Kool Kult, k48, Scope Art Fair, New York, NY
           25th Anniversary Selections Exhibition, The Drawing Center, New York, NY
           Landscape, Derek Eller Gallery, New York, NY
2001   Refiguring Painting, Los Angeles County Musueum
           Group Exhibition, American Fine Art at P.H.A.G., New York, NY
2000   Recent Acquisitions, Los Angeles County Museum, Los Angeles, CA
           Fore and Aft, Acme., Los Angeles, CA
1999   The Stroke, curated by Ross Bleckner, Exit Art, New York, NY
           Young New York Painters, curated by Ross Bleckner, Baldwin Gallery, Aspen,

           Colorado
1998   Inaugral Show, curated by Jennifer Bornstein and Chevis Clem, The Fifth

           International, New York, NY
           He Swam Down, Away, curated by Tony Payne, Audiello Fine Art, Inc., New York,  

           NY
           Painting: Now and Forever, Pat Hearn and Matthew Marks Gallery, New York, NY
           Codex USA: Works on Paper by American Artists, Entwistle Gallery, London,
           United Kingdom
           I Love New York, Edinburgh International Art Festival, Edinburgh College,

           Edinburgh, Scotland
           Bathroom, curated by Wayne Koestenbaum, Thomas Healy Gallery, New York, NY
           View 3, curated by Klaus Kertess, Mary Boone Gallery, New York, NY
           Francis Alys, Keith Mayerson, Franklin Preston, Hiroshi Sugito,” Audiello Fine Art Inc.,
           New York, NY
           More, curated by Tony Payne, XL Gallery, New York, NY
1997   Paintings and Sculpture, Luhring Augustine, New York, NY
           Three Painters, curated by Jack Pierson, Musee d’art contemporain de Bordeaux,

           France
1996   The Name of the Place, curated by Laurie Simmons, Casey Caplin Gallery, New

           York, NY
           Young, Dumb, and Fun, curated by David Pagel, University of Las Vegas, Nevada
           The Incredible Power of Cheap Sentiment, curated by Bill Arning, White Columns,
           New York, NY
           Annual Summer Watercolor Exhibition, curated by Tom Woodruff, P.P.O.W.,
           New York, NY
1995   Degenerative Art Show, The Lab, San Francisco, CA
           The Moderns, curated by Tony Payne, Feature Gallery, New York, NY
           Faggots, curated by Bill Arning, Rojes Foundation, University of Buenos Aires,

           Buenos Aires, Argentina
           Stretch Out & Wait, Richard Telles Fine Art, Los Angeles, CA
1994   Stonewall 25, curated by Bill Arning, White Columns, New York, NY
           Dave’s Not Here Show, Three Day Weekend, Los Angeles, CA
           Red Rover, Three Day Weekend, Los Angeles, CA
           Tiny Shoes, New Langton Arts, San Francisco, CA
           Selections Spring ‘94, The Drawing Center, New York, NY (brochure)
           Playfield, curated by Randy Summers, Rio Hondo College, Wittier, CA
1993   Sick Joke, Kiki Gallery, San Francisco, CA
           Steve Crique, Keith Mayerson, Tyler Stallings, Richard Telles Fine Art, Los Angeles,
           CA

BIBLIOGRAPHY
2014   Andrew Russeth, "10 things to Do in New York's Art World Before July 14," New York
           Observer's Gallerist, July 8, 2014
           Keith Mayerson, “Dreamtime,” Artforum.com, July 7, 2014
           Kevin McGarry, “The Gallery Queen of Palm Beach Takes L.A.,” T Magazine Blog,
           June 27
           Gailanagomez, “Whitney Biennial 2014: A Review in Three Parts-Pt. 2”, ChiCritics:

           Art through the lens of Chicago, May 13
           *Installation image, Artforum Reviews opening section, Artforum, May 2014, pp. 308-309
           *Helen Molesworth, "Whitney Biennial: Whitney Museum of Art," Artforum, May 2014,
           pp. 310-311
           Barbara Pollack, "2014 Whitney Biennial, Whitney Museum," ARTnews, May 2014,
           pgs. 90-91
           Paul Clinton/Catherine Lord, "Queer Time and Place," FRIEZE no. 163, May 2014, pg.

           187
           "Hybrid Vehicles," Dan Halm, Visual Arts Journal, Spring 2014, pg. 4
           *Erin Leland, "Keith Mayerson Talks with Erin Leland", Bad At Sports Contemporary

           Art Talk, May 9
           Whitney Biennial 2014 Part II, Keith Mayerson, Contemporary Art Daily, May 8
           Journalist, "Whitney Biennial 2014, Part II", Elite Journalist, May 7
           *Anita M. Harris, "Docent/psychoanalyst helps decipher Whitney Biennial 2014

           offerings," New Cambridge Observer, May 4
           Simmy Swinder, "Showing: Whitney Biennial 2014",  Arrested Motion, May 2
           *Whitney Kimball, The Whitney Biennial on Charlie Rose: Art is Hazy, Nebulous, Art F

           City, April 29
           Leonardo Homes, "The Whitney Biennial: No American American," Artishock, (South
           America), April 18
           Choire Sicha, “On Being An “Irritant To The Institution” At the Whitney Biennial, The

           Awl, March 25
           “Whitney Biennial, New York, “ artDas Kunstmagazin, March 22
           *Christian Viveros-Fauné, “Why This Year’s Whitney Biennial Should Be Seen Through

            a (Slightly) Rose-Colored Lens: Proceed with Optimism,” the Village Voice, March

            19
           “Collectors Q & A: Tomasz Nazarko,” Exhibitions A, March
            Glenwood, “The Whitney Biennial 2013-A Little Rough Around the Edges,”

            Manhattan Living, March 19        

           Burnna Radaelli, “Whitney Museum Presents a Broad and Diverse Crop of

           American Art,” Bamboo, March 17
           John Hutt, “A Gay Ol’ Tour of the Whitney Biennial,” OUT, March 14
           Michael Bilsborough, “American Art, American Dream,” SVA Continuing Education

           Blog, March 14
           Lori Zimmer, “End of an Era: The Last Whitney Biennial at the Breuer Building,”
           MutualArt.com March 12 
           “2014 Whitney Biennial 10 Artist,” Art Yidianchina.com, March 11 Artsy (lead image

           for Biennial)
           *Jerry Saltz, “Sapphires in the Mud: There’s a smart show buried in theis big bland
           Whitney Biennial,” New York Magazine, March 10, pg. 131
           *Kristen Boatright, Guest Curators Talk 2014 Whitney Biennial, Blouin Artinfo.com,
           March 10
           *Bill Powers, “The Whitney Biennial 2014 at the Whitney Museum of American Art,

           New York,” purpleDIARY, March 10 (image)
           “Art Review: Whitney Biennial, ADAA, Review,” Artlyst, March 9
           Colleen M. O’Connor, “The 2014 Whitney Biennial Struggles for Breath,” fictive

           sister, March 9
           Gisla, “Whitney Museum Biennial 2014,” Taxi Amarelo, Nova York, March 8
           *Kevin McGarry, “Art Matters: The Whitney Biennial’s Last Upper East Side Hurrah,”

           The New York Times TMagazine blog, March 7
           *John DeFore, “Whitney 2014 Biennial: Five Hot Artists to Watch,” The Hollywood
           Reporter, March 7
           *Kevin McGarry, “Whitney Biennial 2014,” Art Agenda, March 7
           *David Matorin, “Spring/Break Art Show Brings A Focus on the Personal,” Art F City,
           March 7
           “The 2014 Whitney Biennial Starts Today,” INHALE, March 7
           Susan Yung, “The Biennial’s Uptown Salvo,” Ephemeralist, March 7
           D. Creahan, “New York-the Whitney Biennial Through May 25th, 2014,” March 7
           Joo Sarang Lee, “Festival of Art in New York is now, ‘plop’” Korea Daily, March 7
           James Kalm, “2014 Whitney Biennial, Part II,” March 7
           *Howard Halle, “Review: 2014 Whitney Biennial,” TimeOut New York, Thursday,

            March 6
           *Andrew Russeth, “The 2014 Whitney Biennial Disappoints, with Misfires, Omissions,

           Only Glimmers of Greatness,”NY Observer” Gallerist, March 6
           *“Your Guide to the Artists of the 2014 Whitney Biennial,” Huffington Post, March 6
           Soojin Chang, “Preview: 2014 Whitney Biennial at the Whitney Museum of

           American Art,” Hi Fructose, March 6
           Katy Diamond Hamer, “First Impressions: the 2014 Whitney Biennial, NY,” Eyes

           Towards the Dove, March 6
           *Hrag Vartanian, “Whitney Biennial 2014: Stuart Comer on the Third Floor,”

           Hyperallergic, March 5
           Bianca Ozeri, “The 2014 Whitney Biennial,” The Wild Magazine, March 5
           *Scott Indrisek, “103 Reasons to Visit the 2014 Whitney Biennial,” Blackbook, March

           *Steven Zevitas, “Must See Painting Shows: March 2014,” Huffington Post, March 4
           Travis Jeppesen, “Rethinking the Language of Art: The Whitney Biennial 2014

           Beyond Discourse,” ArtMag by Deutsche Bank, March 4
           Eva Komarek, “A Farewell to Upper East Trio,” Die Press.com, March 2
           “Whitney Biennial 2014,” Fluoro, March 1
           Michael Wilson, "Spotlight: Keith Mayerson," New American Painting #111, April,
           pgs. 8-12
           *Carol Vogel, “State of Our Art, According to the Whitney: A Guide to the 2014

           Whitney Museum Biennial,” New York Times, Feb. 28, 2014, pg. C21
2013   Zevitas, Steven, “14 Painters (+2) to Watch in 2014, Huffington Post (online), Dec. 20
           Zevitas, Steven, “14 Painters (+2) to Watch in 2014, New American Paintings

           (online), Dec. 19
           Russeth, Andrew. “The Year in, and Beyond, the Galleries,” The New York Observer,
           “Gallerist,” (online blog), Dec. 19
           Kirsch, Corinna and Whitney Kimball, “The Definitive NADA Slideshow and

           Commentary, “Art F City, (art blog), Dec. 6
           Smith, Roberta, “Last Chance: Keith Mayerson, My American Dream,” New York

           Times, Friday, May 24, pg. C18
           Hamer, Katy, “My American Dream,” Keith Mayerson @ Derek Eller, NY, Eyes

           Towards the Dove (online), Monday, May 20
           Bilsborough, Michael, “Northern Lights,” (My American Dream exhibition review),

           SVA Continuing Education Blog, May 8
           McGarry, Kevin, “Sketch Troup,” V Magazine, vol. 83, Summer, 2013, pg. 38
           Chang, Stella, “My American Dream Exhibition,” Rambling Masterpiece (online),

           May

2012   Penn, Asher, “Keith Mayerson” (Interview), SEX Magazine #2
           Kazakina, Katya, “Martha Graham Sets, Older Artists in Westbeth Flooding,”
           Bloomberg.com, Nov. 3
           Russeth, Andrew, “Chelsea Galleries Begin Recovery Work,” Gallerist, NY

           Observer.com Nov. 1
           ”We Went to NADA,” Art Fag City, May 8
           Belasco, Daniel, “Suturing In: Anne Frank as Conceptual Model for Visual

           Art,” Anne Frank Unbound: Media/Imagination/Memory, Barbara Kirshenblatt-

          Gimblett, Jeffrey Shandler, eds. Indiana University Press Observer.com, May 7
           D’Agostino, Paul, “Big Art Fairs Swarm NYC This Weekend,” The L Magazine
           “Something for NADA,” Art + Auction, May
           “Interview with Dan McCarthy” (commissioned catalog interview), “Dan

            McCarthy,” Suzanne Tarasieve Gallery, Paris

2011   “Portrait of Kevin Kelly,” (commissioned artwork), The Journal, Winter 1999
            Bilsborough, Michael, “Unplugged, Rebooted,” School of Visual Arts Continuing           

           Education Blog
           Kimball, Whitney, “Horror Hospital Unplugged at Derek Eller Gallery”, Art Fag

           City.com, October 24
           Price, Ada, “Pioneering Graphic Novel, “Horror Hospital Unplugged,” Back in Print,
           Publishers Weekly, October 11
           Fitzpatrick, Colin “Horror Hospital Unplugged,” (book review), Lambda Literary.org,

           August 22
           Butler, Blake, “Dennis Cooper & Keith Maeyrson’s Horror Hospital Unplugged,” HTML
           Giant.com, July 28
           Litt, Steven, “Keith Mayerson paintings in wonderful exhibit at Cleveland’s Shaheen
           gallery,” Cleveland Plain Dealer, July 20
           Frank, Alex, “Studio Visit: Keith Mayerson,” The FADER.COM, July 7
           Frank, Alex, “Dead Again,”, The FADER, June/July, pg. 74
           “Keith Mayerson Discusses ‘Iconscapes 1995-1999,” School of Visual Arts Briefs,

           Summer
           Hart, Tom, “Why We Love Keith Mayerson,” Seriously Comics, Summer
           Hartinger, Bruce “Horror Hospital Unplugged,” (book review), AfterElton.com, June
           “Short List,” The New Yorker, May 16
           Wei, Tingting, “Interview with Keith Mayerson,” WhiteHot Magazine, May
           Wollen, Joseph, “Joni Mitchell,” TimeOut NY, January 28
2010   Smith, Roberta, “Keith Mayerson: My Modern Life,” The New York Times, November
           Russeth, Andrew “Keith Mayerson, My Modern Life,” ArtInfo.com/Modern Painters,

           Nov. 4
           “The View Master,” The New York Observer.com, Oct. 26
           Finch, Charlie, “Eleventh Avenue Ramble,” Artnet.com Magazine, October 25
           Saltz, Jerry, “Ask an Art Critic,” Artnet.com, and NYMagazine, “Vulture,” Oct. 18
           Wollen, Joe. "Neo-Integrity: Comics Edition," Time Out New York, August 10
           Le Hay, Benjamin-Emile, "Artists Nate Lowman and Keith Mayerson Take a Long,

           Hard Look at Humanity," Black Book Art Review, August 17
           Phillips, Brad, "Keith Mayerson," (interview), Hunter and Cook 06, Summer
           Saltz, Jerry, "Remembrances of Louise Bourgois's Salons," New York Magazine.com,
           June 3
           "Neo-Integrity at MoCCA," Publisher's Weekly The Beat, March 31
2009   Sokol, Brett, "36 Hours in Cleveland," The New York Times, September 20
           "Bang for your Buck," Art + Auction, July-August
           Heller, Fran, "Art Museum's New East Wing is a Celebration of Firsts," Cleveland

           Jewish News, Friday, July 3
           Litt, Steven, "Cleveland Museum of Art Displays New Acquisitions in East Wing," The

           Plain Dealer, Cleveland, OH
           Time Out Amsterdam (image and listing), June
           Cotter, Holland. "Peanut Gallery," The New York Times, Art Review, Jan 29
2008   "Keith Mayerson," The New Yorker, Galleries - Chelsea, November 10
           "History Keeps Me Awake At Night," The New Yorker, Galleries - Chelsea, August 4
           Cotter, Holland. "History Keeps Me Awake At Night," The New York Times, July 25
           Vogel, Traci. "Time in a Bottle," San Francisco Weekly, July 9-15, Vol. 27, No. 24
           Greenfield, Beth. "Body of Influence." Time Out New York, Issue 667, Jul 10-16
           "How Haute It Is," Interview, April, p. 130-133 (illus.)
           Rosenberg, Karen. "A New High in Getting Low," The New York Times, Mar 7
2007   “Joe Bradley / Ann Craven / Dana Frankfort / Keith Mayerson,” The New

           Yorker, Galleries - Chelsea, August 20
           Cotter, Holland. “When the Curator Is Also an Artist, Go Ahead, Expect

           Surprises,” The New York Times, August 9
2006   White, Roger, “Keith Mayerson Kings and Queens,” The Brooklyn Rail, Dec 05/Jan

           07, Artseen p. 44
           Gelber, Eric. “James Reilly and Keith Mayerson,” artcritical.com, December
           Wolin, Joseph R., “Keith Mayerson,” Time Out New York, Nov 23-29, p. 99
           Gelber, Eric. “Of Groups - and Individuals,” The New York Sun, Nov 16
2005   Knight, Christopher. “Fresh, original voices in L.A.: A deceptive look at a mythic
           figures,” Los Angeles Times, October 28
           Ammirati, Dominic. “Keith Mayerson,” Artforum, February. p. 175
2004   Smith, Roberta. “Keith Mayerson,” The New York Times, December 24
           Speers Mears, Emily. “Keith Mayerson,” Artforum.com, December 13
           Smith, Roberta. “Rimbaud,” The New York Times, July 30, p. E35
           Levin, Kim. “Rimbuad,” The Village Voice, July 28
           Johnson, Ken. “The Sublime is (Still) Now,” The New York Times, June 11
           Walker, Kelley. “Top Ten,” Artforum, April
           Cohen, Michael. “Keith Mayerson,” artUS, April - May
2003   Cotter, Holland. “Keith Mayerson,” The New York Times, December 12
           Mmirati, Domenick. “Critic’s Pick: You,” Arforum.com, October
2002   Kannenberg Jr., Gene. “Read All (or Some) About It," X-Tra, Vol. 3, No. 3, Spring
           The Comics Journal, Issue No.242, April, p. 68-69
           “Landscape,” Time Out New York, Reviews, February 21, Issue No. 334
           Sehorn, Jason, and Keith Mayerson. “Why I Didn’t Rush the End Zone,” (art
           project), Interview, February, p. 40
2000   Mayerson, Keith. “Icons and Iconography in Technocratic Culture,” Xtra, Vol 3, p.

           23-29
1998   Herbert, Martin. “Codex USA,” (Review), Time Out, London, page 51
           Rimanelli, David. “Painting Now and Forever,” Listings, The New Yorker, June-July
           Duncan, Michael. “Keith Mayerson at Jay Gorney,” Art in America, ReviewsJune,

           p. 107
           Johnson, Ken. “View Three,” The New York Times, Reviews, May 1, p. E43
           Drenner, Craig. “View Three,“ NY Arts Magazine, May, p. 29
           Mayerson, Keith. “Guest Room With a View,” Paper, May, p. 49 (illus.)
           James, Merlin. “New York: Recent Painting,” Burlington Magazine, London,

           February, p. 65-67
           Still, Torri. “Filling the Canvas,” Brown Alumni Monthly, January/February, p. 38-43
1997   Schwendener, Martha. “Keith Mayerson,” Time Out New York, Nov. 20-27, p. 47
           Mayerson, Keith. "Self Portrait," The New Yorker, Nov. 10, p. 28 (illus.)
           Arning, Bill. “Keith Mayerson,” Bomb, November
           ”Keith Mayerson,” (Interview), Dangerous Drawings, Juno Books, New York
           Featured Artist, Honcho, November, p.66-67
           Carter, Holland. ““The Name of the Place,” The New York Times, Reviews, Febrary

           24
           Tom, Karen. “Horror Hospital Unplugged,” Cover, Volume 11, Number 5, p. 59
           Hainley, Bruce. “Horror Hospital Unplugged,” Index, May, pg. 79
           Marston, Jayson. ““Horror Hospital Unplugged," Drummer, August, vol. 208, p. 49-50
           “Horror Hospital Unplugged,” Library Journal, April 1
           “Horror Hospital Unplugged,” Attitude, London, March, p. 22
           “Cult Fiction,” Gay Times, London, February, p. 69
           “Horror Hospital Unplugged," Bay Area Gaurdian, Literature Section, February
1996   Knight, Christopher. ”Review,” Los Angeles Times, April 10, Section F, p. 6
           Pagel, David. “Keith Mayerson,” Art Issues, September/October, p. 40
           Cooper, Dennis, and Keith Mayerson. Horror Hospital Unplugged, Juno Books, NY
           “PW’s Best Books,” Publisher’s Weekly, November 4, P. 57
           “Horror Hospital Unplugged,” Publisher’s Weekly, September 23, p. 71
           Rimanelli, David. ‘The Young and the Feckless: Keith Mayerson’s comic rock
           novel,” OUT, October, p. 66
           “A Brilliant Chick Parody,” OUT, August
1995   Greene, David A. “Review,” ART & TEXT, January, p. 71
           FRAMEWORK, Volume 7, issue 3, p. 23-26 (illus.)
           Red Hot + Bothered: The Indie Rock Guide to Dating, Volumes 1 (pp. 11, 21) &

           Volume 2 (Back Cover) (illustrations), magazine produced by the Red Hot

           Organization, included with album compilations
           Michel, Deborah. “The Himbos are Coming! The Himbos are Coming!” BUZZ, April,

           p. 59
1994   Relyea, Lane. “Openings: Keith Mayerson,” Artforum, April 1994, p. 92
           Helfland, Glen. “Sympathy For the Devil,” San Francisco Weekly, April 6, 1994, Vol.

           XII, no. 6, p. 19.
           Duncan, Michael. “LA Rising,” Art in America, December, p. 72
           Myers, Terry R. “On View: Los Angeles,” New Art Examiner, December, p. 36
           Pagel, David. “Art Review: Convention Unites with Gay Fantasy,” Los Angeles

           Times, October 6, p. F4
           Mayerson, Keith. “Family Value Cartoons,” Faultline, May, p. 39-43
           Saltz, Jerry, “L.A. Rising,” Art & Auction, April, page 88
           Atkins, Robert. “Queer For You,” Village Voice, June 28
           Bonnetti, David. “Gallery Watch: Give ‘em that ‘ol tired religion,” San Francisco
           Examiner, April 15, p. D10
           Cotter, Holland. “The Joys of Childhood Reexamined,” The New York Times, March

           25, p. C30
1993   Bonnetti, David. “A Queer Way To Look At Pinocchio,” San Francisco

           Examiner, Friday, November, p. E10
           Helfland, Glen. “Art,” San Francisco Weekly, November 17, p. 15
           Provenzano, Jim. “Pinocchio Queerified,” Bay Area Reporter, vol. XXIII, November

           18, section II
1990   Snook, Raven. “Cameo’s: K. Mayerson’s “A Child Is Being Beaten,” The Village
           Voice, August 7, p. 100

PUBLISHED ARTICLES
2011   “NeoIntegrity: Comics Edition,” (interview with Keith Mayerson, curator, conducted

           by Peter Halley), forthcoming
2009   “The Artist’s Artists: Keith Mayerson, Stevie Wonder, Gershin Prize for Popular Song

            (the White House, Washington DC)”
            Artforum, December 2009 (best of the year capsule review)
2008   “Jane Freillicher: Recent Paintings,”, Tibor De Nagy Gallery, NY (catalogue essay)
           “Kathe Burkhart:  The Liz Taylor Series: The First 25 Years, 1982-2007”, Modern

           Painters, March 2008, (book review)
           "How Haute It Is," Interview, April, p. 130-133 (commissioned assignment)
2007   “Annie Lennox,” Interview, Oct. 2007, pg. 155 (commissioned assignment)
2006   “Keith Mayerson on Randy Wray,” BOMB, Spring 2006, Number 95, pgs. 46-47.
2005   Lisa Kirk and Keith Mayerson, “Wake the Sleepers,” ArtUS, May-June, pgs. 16-18
2002   Sehorn, Jason, and Keith Mayerson. “Why I Didn’t Rush the End Zone,”

            (commissioned assignment), Interview, February, p. 40
2000   “Icons & Iconography in Technocratic Culture: The Sleeping Painting,” Xtra, Spring,

           Vol. 3, Issue 3, pgs. 23-28.

ARTIST'S BOOKS
1996   Horror Hospital Unplugged, (with Dennis Cooper) JunoBooks/RESearch

           Publications, New York, NY
1993-94   A Patriarchy’s Nightmare (republished in 2011 by Harper Perennial)
1993   Pinocchio The Big Fag
           Trying Not to Be A Dick

ARTIST'S VIDEOS
2012   “8 Americans” (interview series with Hilary Berseth, Joe Bradley, Jacob Cassay, Ann
           Craven, Francesca DiMattio, Wade Guyton, Keith Mayerson, Dana Schutz)
1999   Limp Biscuit
1996   present A Portrait of Two Artists as Young Men
1995   The Best of Keanu
1994   Trees in the Forest
1993   Get the Knife
1992   Why Do You Keep Doing This to Yourself
 

PLAYS/SCREENPLAYS
2012   ”Slideshow, Art from NADA 2012,” Blouin Artinfo, May 8
           Herman, Sasha, “NADA New York 2012 Preview,” NY Observer.com, April 30
           Miller, Michael H., Rozalia Jovanowitz, Andrew Rosseth “Gallerist’s Frieze Week in
           Pictures,” New York
1999   A Child is Being Beaten
1995   Nowhere Fast
1993   Pinocchio the Big Fag
1991   Fags
1988   A Child is Being Beaten, BACA DOWNTOWN, New York, NY directed by David

           Savran and Ronn Smith
           THE BOX, Trinity Repertory Company, Providence, RI, March 1989, as a part of

          “Graduate Play Festival,” Directed by David Savran and Ronn Smith, Leeds Theater

           and Brown’s Production Workshop
           TYGER, (Set design only), Leeds Theater, Brown University
1987   Melonboy (also director and set designer) Production Workshop, Brown University

CURATED EXHIBITIONS
2011   “8 Americans” (Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven, Francesca
           DiMattio, Wade Guyton, Keith Mayerson,
           Dana Schutz), September 2011, Alain Noirhomme Gallery, Brussels
2010   "NeoIntegrity: Comics Edition," Museum of Comic and Cartoon Art, New York, NY
2007   "NeoIntegrity," Derek Eller Gallery, New York, NY

PANELS
2014   “Strong Female Protagonists,” Shelly Bond, Alitha Martinez, Diane Noomin, Raina
           Telegemeir, moderated and organized by Keith
           Mayerson, part of the Society of Illustrators/MoCCA Comics Week, School of Visual

           Arts, April 1
2010   “A Conversation with Gary Panter and Peter Saul, moderated by Keith Mayerson,”
            Thursday, August 19,
            Museum of Comics and Cartoon Art, New York
           “Dash Shaw and Keith Mayerson in Conversation,” Tuesday, May 25, Museum of  

            Comics and Cartoon Art, New York

PUBLIC COLLECTIONS
Whitney Museum of American Art, New York, NY
Museum of Modern Art, New York, NY
Los Angeles Country Museum of Art, Los Angeles, CA
The Museum of Contemporary Art, Los Angeles, CA
San Francisco Museum of Modern Art, San Francisco, CA
The Columbus Museum of Art, Columbus, Ohio
The Cleveland Museum of Art, Cleveland, Ohio
Corcoran Gallery of Art, Washington, D.C.

BOARDS
Board of Trustees, Museum of Comics and Cartoon Art